Saturday, May 03, 2008

The Spirit of ’68

An SDS radical returns to Columbia, disappointed.

by Jesse Oxfeld

From New York Magazine, April 21, 2008


Forty years ago this week, students at Columbia occupied five university buildings, including the president’s office in Low Library, to protest the school’s participation in a Defense Department think tank and a plan to build what the students called a “racist” gym in Morningside Park (neighborhood residents were to have a separate entrance). Mark Rudd, chairman of Columbia’s chapter of Students for a Democratic Society, emerged as spokesman for the protesters. A week later, when the NYPD raided the buildings and ended the takeover, more than 700 students were arrested and 150 injured. Rudd was eventually expelled. He lives now in Albuquerque, New Mexico, where he retired last year as a community-college math instructor. He spoke to Jesse Oxfeld from his mother’s apartment in New Jersey, on his way to a reunion in Morningside Heights.

It’s been 40 years since you led the revolt at Columbia.
I think you have a misconception about leaders. The media picked me as “the leader.” Movements are not made by leaders. Movements are made by hundreds of thousands of people deciding to take action. And the media comes along and says, “This person led it.”

Well, you were the chairman of SDS at Columbia.
A leader is someone who tells other people what to do or who devises strategy. I more embodied and expressed the feelings of many, many people. But the media needs people. They can’t say, “This was about racism in society”; they have to say, “This was about Mark Rudd’s leadership.”

Things ended badly—many arrests, many injuries. But the gym project was halted, and ties were severed with the Institute for Defense Analyses. So was it a success?
It would have been a success no matter what, because from the point of view of Columbia SDS, the goal was always the creation of a radical mass movement. People understanding and acting on U.S. imperialism in all its manifestations—against the war in Vietnam, against domestic racism, for justice in the world. And that we accomplished.

But 40 years later, we’re in an unwinnable, unpopular foreign war. Columbia just got permission to expand into 35 acres of Harlem …
It seems very similar, doesn’t it? I don’t live in New York anymore, but people tell me that Harlem as a black community has pretty well been decimated or is being decimated by gentrification. Within the context of that process, it would make sense that the community is not fighting this essentially racist institution.

Why aren’t today’s students protesting more?
They don’t know how. When I got to Columbia in 1965, I found a full-blown antiwar movement—and that movement had a model of organizing. It came from the civil-rights movement and the labor movement. People understood organizing. There’s been a 40-year break, about two generations. Young people haven’t been exposed to any successful model, so they are trying to reinvent it. And a bigger reason is the transformations of our culture. Young organizers tell me that they hear constantly—and I hear this, too—“Nothing I do can ever make a difference.” Back in ’68, I never once heard that. Because it was patently obvious that the opposite was true.

Sunday, March 23, 2008

"Hey Hippie! Shut up"


Quint Stevenson, RISD grad student who's taken a couple of my classes "went down the
demonstration," but instead of getting his "fair share of abuse" he got himself in the news:

"Across the street, 26-year-old Milton Stevenson waged a one-man counterprotest. His handmade sign read “Hey Hippie! Shut up — nobody likes the war.” He said he was protesting the protesters for being cliché and ineffective."

I don't know how to read Quint's performance: as a critique of the protesters' old-school tactics, or as a critique of inaction (including, perhaps, his own generally apolitical work)?

-From the Providence Journal

Monday, June 11, 2007

Join Chomsky, Zinn, Dougherty in Defending Liam Madden

http://www.petitiononline.com/liam/petition.html


Former Marine Liam Madden served in Iraq and was honorably discharged. Upon
return, he joined Iraq Veterans Against the War (IVAW). Liam is also a
cofounder of the Appeal for Redress, a statement signed by nearly 2,000
active-duty troops that garnered a lot of media coverage, and he has been
helping to organize a bus tour to some 20 military bases throughout the
eastern U.S. Liam participated in the first installment of Operation First
Casualty, in which IVAW members brought the war home through street theater
by mounting "patrols" in the streets of Washington, D.C., on March 19. Now
the Marine Corps is trying to make an example of him and others.


Liam is being charged with appearing in uniform at a political event
making "disloyal statements" for calling the war in Iraq "a war crime." If
he his found guilty, Liam may receive an "other than honorable discharge"
which will prevent him from ever being able to get a government job or many
other types of jobs, similar to the effect of a criminal record. Liam has
not received a hearing date yet, but he expects to.


"The military is trying to stifle the IVAW's voice in the public discourse
about the war," Liam has said. "If we are to have an informed and free
discussion in society about the most pressing issue of our generation, the
war in Iraq, then the voices of returning veterans are a crucial aspect."
This is an attempt to squash informed discussion of the true reality of
their war as well squash the budding movement of antiwar soldiers and
veterans turning against the war. They want to silence Liam's message that
the whole war is a war crime- and you cannot "win" a war crime, you can only
end it-- immediately. The military's charges against Liam send a threatening
message to other soldiers and veterans that they should not dare to speak or
organize against the war. If they get away with punishing Liam, the military
will be emboldened to go after many other dissenters. The antiwar movement
must step up and send a message that it will have the backs of its antiwar
brothers and sisters within the ranks of the military.


At a time when the majority of people in the US, the vast majority of
Iraqis, and unprecedented numbers of US troops are against this war, we
can't let some of the most important voices in the antiwar movement be
silenced. This is about the important antiwar voice and contributions of
Liam Madden but also about the current and future antiwar leadership of
countless soldiers and veterans whose vocal and active opposition will be
essential to ending this war.


Sign the Petition

Friday, June 08, 2007

Free History Project


http://www.freehistoryproject.org/CMS/

this is the website of the Free History Project--a "film production, distribution and educational outreach organization [whose] mission is to advance knowledge of media, history and humanities based-subjects, through independent documentary film and education." FHP produced Sam Green's "the weather underground." Check out the website--this organization is doing very interesting and important work. the FHP and the PHP could and should be friends.

Tuesday, December 19, 2006

DISASTER ART: A NEW GENRE OF PERFORMANCE

On Sunday, October 1st, the Institute for Infinitely Small Things traveled down to Providence to observe the Disaster Drill that was being staged in Kennedy Plaza. This was just one of many Disaster Drills that have been staged throughout the United States, Canada and the U.K.. The Disasters are produced to test the timed response and communications between different federal and state agencies in a variety of scenarios that include bird flu epidemics, disease vaccinations, bombings, and attacks on energy supplies, among other things...


By Jaimes Mayhew
More: http://www.bigredandshiny.com/cgi-bin/frameset.pl?section=column&issue=issue52&article=DISASTER_ART_A_1893017

Saturday, September 16, 2006

Port Huron Project 1: Until the Last Gun is Silent

What: A performance art event organized by Mark Tribe and based on a speech given by Coretta Scott King at a 1968 peace march in Central Park.

When: Saturday, September 16, 5:00 PM. Rain date: Sunday, September 17, 5 PM. Check www.porthuronproject.net to see if the event is postponed due to rain.

Where: Mineral Springs field, Central Park, New York City.

More information: http://www.porthuronproject.net

How to get there: Take the B, C, 1, 2, or 3 subway to W 72nd Street. Enter the park at W 69th St. and follow the path due east to West Drive, a paved two-lane road. Mineral Springs field is diagonally across the road to the right (south), between the Sheep Meadow and the Bowling and Croquet Greens.

The Port Huron Project is a series of remakes of historic protest speeches from the 1960s and early '70s. Inspired by the Port Huron Statement, the visionary manifesto of Students for a Democratic Society that helped launch the New Left movement in the United States, the Port Huron Project seeks to explore the role of protest speech in progressive movements, and to reanimate historic protest speeches so that they might galvanize a new generation of political activists. Each event will be staged at or near the site of the original speech, and will be documented using a range of older and newer media, from 16mm film to high-definition video. This documentation will then be distributed online as open source media and exhibited in various ways.

Port Huron Project 1: Until the Last Gun Is Silent is presented as part of Conflux, a festival for contemporary psychogeography. Support for this project has been provided by the Pacifica Radio Archives, the Journal of Aesthetics and Protest, and Brown University.